#mihael keehl

[fearofgodandtolkien]

reblog if your ADHD symptoms also would give a shinigami the creeps

My favourite thing in all of Death Note is that Mello was so ungodly terrifying and weird he gave a shinigami the creeps

[deathnotewiki]

November 19, 2009:

With America’s announcement, the Japanese government and those of other countries fall into chaos.

The American vice-president (now president) announces the disbandment of the SPK.

Mello comes to SPK headquarters and shares information with Near.

[sublimerences]

Mello posting

[chupacabrafritz]

[nearriverofficial]

Us

◕p◕🍈🍀✧˖°. ...LINK!

[neallo]

Near’s control room is dim. Darker than it was before. It takes Mello a moment to realize that it’s because the monitors are off— the only light is from the overhead fluorescents. It’s an ugly glow.

Near himself is crouched on the floor, like he was earlier, except he’s facing Mello this time. He knows better than to turn his back when they’re alone.

“Mello,” he says in that maddening tone, flat as fuck yet somehow taunting, the slightest lilt shining through. “Welcome back.”

“Near,” Mello returns. It sounds less hostile in the air than it feels on his tongue.

The space around them goes silent for a few beats, then. Neither of them move, blink. Mello loses his patience first. He always does.

“So?” He shifts his weight from one foot to the other. Brushes his wrist against the handle of his gun, just to remind himself that it’s there. “What the hell do you want?”

Near smirks. “Who said I wanted anything but your company?” He twirls a strand of hair around his finger. The gesture is so familiar that it makes Mello’s chest ache. “Perhaps I wished to spend time with an old friend. It’s been a long while, hasn’t it?”

Mello scoffs. “Oh, is that what we are?”

A tilt of Near’s head. His smile skews, bafflingly, a bit more genuine. Bizarre little bastard.

“Isn’t it?”

[ashighcave]

Most autistic/gay moment in animanga

[rxvera]

Oh how you just kept getting stupider...

[lunalit-river]

A very unique meta, especially discussing Mello and Matt, while most metas focus on L and Light. I love this.

Because I hate being happy for more than two hours at a time, I've been considering to what extent Matt knew that Takada's kidnapping was a suicide mission.

I've been looking at this screenshot while I've been using it as a reference for a drawing and given that the poor boy is only designated sixty-nine seconds of screentime in the anime, I think it is interesting that there's a substantial pause on this specific frame. Matt is surrounded by Takada's bodyguards, unable to get out of the predicament he has found himself in. At this point, he believes there are two possible outcomes: he will either be arrested, or shot dead. You could interpret his expression here as apathetic, as that is how he tends to be characterised, but he sits in his car and looks out towards the row of headlights for about seven seconds. He considers his situation, acknowledging the number of men pointing their guns at him, and then he leaves his car.

The question is, did it occur to him then, or had he known beforehand, that his death was inevitable? Remember – Matt is one of a few characters in Death Note to be killed 'traditionally'. Should we take the Shinigami Eyes into consideration here, we have to assume that Matt is fated to die at this exact moment in time, regardless of circumstance. There is nothing that would have saved him from his demise that day.

However, I do wonder if, at nineteen years old, he is truly apathetic about his own life. I genuinely believe Mello sees his own death as an inevitable sacrifice, but I am not so convinced that Matt actually cares enough about defeating Kira to lay his life down for the cause alone. The manga suggests he leaves his car almost immediately upon being caught, and his final words, sadly, suggest a lack of foresight about the gravity of danger he is in.

Kira's world is not one in which justice prevails as Light envisioned, but rather it is an autocratic reign of terror. There is absolutely no chance in which Matt would be detained in a society in which death is considered the appropriate solution to crime. He is a Wammy's boy, but even if he had not have been associated with the House, Matt would have still been aware that his risk of death is heightened exponentially through his association with Mello alone.

In the anime, when Matt looks out the window of his car, we hear his inner monologue. Nonchalant, there is no fear to be heard in Drew Nelson's performance of the lines, and Matt's awareness of his impending death is presented as being limited. Is it an act? Or is Matt portrayed as lacking self awareness to such an extreme extent? Perhaps to 'justify' Matt's position as the third successor to L, Ohba felt the need to present Matt as ignoring the inevitable, but at least to me, this feels like it greatly undermines his intelligence. He may not be competing against Mello and Near, but that does not negate the fact he was still raised in the same institution that they were. All the children are freakishly smart, that is the whole point.

Did Mello propose the plan to kidnap Takada to Matt with the acknowledgement that they were both likely to be killed? Mello's final thoughts in the manga and anime are asking Matt for forgiveness, his death apparently unanticipated by the former, which feels like a failure in writing the deaths of these two in a manner that reflected who they were.

Matt is, by all accounts, a fandom project rather than a fully developed character within the Death Note canonical universe, but we are aware that Matt was created for Mello. I hardly expect Death Note to explore the intricacies of such themes in the series (particularly given, as much as I hate to admit it, Mello and Matt are not the main characters within the franchise). However, even with the rather minimal source material provided to us by both manga and anime, we are made aware that the two have a very unique relationship. They know each other intimately, and Matt does not fear Mello as many of the other characters in the series do.

Mello does not want Matt to die. He values Matt and while one could attribute the gratitude for him to the popular fan narrative that Matt is the one to look after Mello after the explosion, or indeed the idea that the two are in a relationship, their interactions with one another already set up their alliance as one that appears to transcend the regular boundaries of friendship. Again, I'm pulling a lot from fanon here, I know. Take it up with Ohba.

Narratively, if Mello has to die, so too does Matt. Ohba could not foresee this character that is so dependent on another to live beyond him. Yet I simply refuse to believe that Mello would have placed someone so important to him in a compromising position where the likelihood that he will be killed is almost certain. As much as I believe that Mello's final thoughts being directly addressed to the deceased Matt demonstrates an important ode to their relationship, I cannot understand how Mello would have been shocked to hear of Matt's death, given the risk.

We know Mello was fully aware that he was going to die that night. If he did not die, Near would have, and I think to Mello that would have been the greatest loss he could have suffered in their ongoing conflict. Regardless of whether you believe Mello cared about Near to any extent or not, I genuinely cannot imagine Mello would have been happy to succeed as L had it been attained through Near's 'sacrifice'. I am actually exploring an AU of this very idea in a fanfiction I intend to publish early next year, in case you're interested, haha.

This returns to the question as to when Matt realises he is not surviving this mission. Presumably Mello asked for his cooperation, and in doing so, he would have had to explain the plan to Matt which, quite frankly, reveals Mello's intent to die as soon as it is advantageous to do so. Given that Mello did not want Matt to be killed, did Mello reassure Matt that he had created the plan to guarantee his safety? Did Matt believe him? Was Mello deliberately vague, only telling Matt that he needed to set off the smoke gun, then hit the gas and get away from Takada's security team?

As far as I can tell, there is no reason as to why Mello would have been dishonest with Matt, explaining what he was planning to do and why. Perhaps he even suggested to Matt that he could find someone else to take on his position, given the danger he anticipated they would be in. Matt is, as I think the series makes clear, very loyal to Mello, and so I doubt such a proposal was even considered, but I think it is safe to assume that if Mello knew how this plan would end, so too would Matt, whether Mello explicitly told him or not. He would have figured it out.

When Matt and Mello part ways for the final time, not shown to us in either the manga or the anime, they both know that they are saying their last goodbye to one another. I think Mello hopes that Matt will survive somehow, experience a Kira-free world and move on with his life, but I believe Matt knows, well before he got caught, that there is no escape from the inevitability of his death.

Maybe, when he steps out of the car, confronted by the 'big guns', he holds out a little faith that at least he might see Mello again soon.

[yaolmao]

fem.mello//wip

[niightniines]

it came to me in a dream

[dnln7873]

deleted scene in the manga leaked by Ohba

[vengeflies]

imagine if i actually finished this

[queeranotkira]

LMFAO I'M DYINGGG

[vamphorica]

How would a female Mello, matt, and Near be?

absolutely wonderful question, anon, thank you so much. if you've been on my blog for any length of time, it is probably not surprising that i've given this a lot of thought and, putting aside my intricate transgender speculations for the time being, let's gender swap the wammy's creatures, and consider how that could impact their narratives within death note.

note: i will still be referring to all three using he/him pronouns, but this is not intended to be intentionally contrary. feel free to substitute whatever pronouns your heart desires throughout.

♀ mello -> mihaela may be a little bit obvious, haha, but if mihael is a croatian name that means 'who is like god', and we need to retain the letter 'm' for obvious reasons, i think it works well as a feminine alternative name. mello is relatively androgynous as an alias, if not slightly masculine, but i think it is fine given what i'm about to talk about.

mello's canonical gender expression is already nonconformative, so it is interesting to speculate what he would he look like if he were a girl. one of my absolute favourite genderbent depictions of mello is this piece by thekatzone because it still retains mello's visual ambiguity but in the opposite direction. i do think he would dress more masculine as a woman not only because his subversive appearance is a very significant aspect to his character, but also because of how it might relate to his position in the mafia.

mello spends a significant amount of time in the manga and anime in hypermasculine environments despite his presentation, and i think it is important to retain this idea even if he were to be genderbent. i do think mello would have had a much harder time, if it was at all possible, in attaining a leadership position within the mafia as a woman. the women who frequent the base are implied to be sex workers, and so i'm genuinely curious as to whether mello would have felt able to approach the organisation as a masculine presenting woman, or whether he'd seek out a different group. in which case, what would that group be? would he have been able to effectively carry out his insane plans in the same capacity?

i have very little doubt mello would still have been ambitious, but i actually don't think that he would have been able to pursue his goal to catch kira before near as he went about it in the series. certainly light would not have taken him seriously if the voice he heard down the phone was higher pitched, and that alone could have greatly impacted how sayu's kidnapping played out, as underestimating mello could have easily resulted in her death.

♀ matt -> apparently mail as a name means 'pleasant', and that is very funny to me. i quite like the name maille, which is irish, so fits nicely with a vague headcanon i haven't fully developed. i also learnt it is the name for a brand of mustard, and i think he would appreciate that. matt as a pseudonym might have to be changed to matilda, or martha.

while i am under no illusion that matt would be the kind of girl to give a shit about their appearance, i do think in another life, he would have made an excellent e-girl twitch streamer. i can imagine him wearing cat ear headphones and miniskirts, and referring to "chat" every five seconds. rest in peace, mail, you would have loved twitch subs.

regarding matt's gender identity in the canon series, i think that it worth considering how he might have responded differently to surveying others as a woman rather than as a man. i think matt's approach to watching others is very informed by his own personal biases, which I think are definitively masculine. The most clear example of this is how he describes misa as "an awfully cute japanese girl" which, while isn't necessarily the worst thing said about a woman in this godforsaken series, demonstrates that matt's perspective on women is superficial at best. this isn't helped either by the fact that he completely fucks up when guessing misa's age, even going so far as referring to her as a "child".

i think a female matt would probably feel the most overwhelmed of the three by societal expectations of women, and may even distance himself away from femininity. i'm not trying to suggest here that matt's comments imply he's misogynistic, but i actually think matt is the most masculine of the wammy's kids, which may be controversial, i don't know. i believe that he retains his masculine personality in this genderbent scenario.

♀ near -> i love the japanese pronunciation of near's name, nia, as a girl's name that he could use as an alias. natania has the same meaning as nate – 'gift of god' – which does not match his character at all, haha, but that is what i managed to come up with.

near is the easiest to consider gender swapping because to me, he's a girl anyway. you can point to his female voice actors in the anime, or his long hair in the 2020 manga one-shot, but he is also so clearly coded as a feminine character, a contrast from not only mello's aggressive impulsivity, but the masculine environment of law enforcement. with halle as a notable exception (who herself is very masculine, but another post, perhaps), near is markedly different from every other character in the series. some might say he resembles his predecessor, but i think they are very distinct from one another as characters.

my personal opinion relating to mello and near's gender identities (which you may disagree with) is that mello expresses his gender ambiguity externally whereas near does so internally. essentially, if we interpret them both as androgynous, mello's appearance is far more expressive of this, whereas near's behaviour is his more nonconformative trait. this can be a slightly tricky area to navigate as it's important not to dive headfirst into gender essentialism, but i think near's mannerisms can, and should, be explored here.

girl near would still be able to work as head of the spk, without the disadvantages girl mello would face to become head of the mafia. i really don't think there would be much in the way of significant plot deviance if near was female, other than maybe light freaking out over the fact he was caught by a woman, which would be very funny. in the one shot, near's internal androgyny has manifested itself as a more external expression, and i really like that decision.

to conclude, i do love the concept of the wammy's girls, and i think it invites some interesting discussions relating to how femininity is often dismissed in death note. there's a lot of creativity in genderbending characters. mello, matt and near each have complex and interesting traits that are very fun to explore when thinking about them from this perspective.

[sublimerences]

Some old Meronias 🙇